Bellotto extended his meditation on splendor and hardship to Schloss Hof on the March River. Originally a seventeenth-century fortified complex, Prince Eugene of Savoy had it transformed from 1725 to 1729. Hundreds of laborers, gardeners, and craftsmen worked here, providing employment to many of Eugene’s returning soldiers. The estate later passed to his niece and, in 1755, was purchased by Francis Stephen and Maria Theresa. Bellotto painted three large canvases showing the garden, forecourt, and northern flank. In the garden view, terraces, fountains, and trimmed trees rise rhythmically, and aristocrats, gardeners, and disheveled men appear neatly placed within a geometrically ordered landscape. The forecourt view animates architecture with aristocrats, servants, and vagrants, balancing courtly display with everyday life. The northern prospect emphasizes the palace’s fortified mass against the plain, its terraces evoking a frontier citadel.

1051
1051
Bellotto

View of Schloss Hof from the Gardens

1759/60
Kunsthistorisches Museum
1052
Bellotto

View of Schloss Hof from the Forecourt

1759/60
Kunsthistorisches Museum
1053
Bellotto

View of Schloss Hof from the North

1759/60
Kunsthistorisches Museum